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Art: Theory & Philosophy of Art Index

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Paper Title

Description of Paper (Year Written) (Nbr Pages) (Nbr Notes/Citations) (Nbr Sources) ($=Price)

Monroe Beardsley's Aesthetic Views: A study of how these views relate to concepts of ugly and beautiful in works of art. Written in 1978, 4 pages, 1 notes, 1 sources, $35.80
The Aesthetic Value Of Art as A conscious As Opposed To An Unconscious Product: Discusses art as expressly created to be artistic and art as natural beauty. Written in 1978, 9 pages, 10 notes, 5 sources, $80.55
The Use Of Symbolic Nudity In The Italian Renaissance: Evaluates the four types of nudity used in art, particularly painting and their relation to religious and moral themes, with examples. Written in 1979, 6 pages, 3 notes, 4 sources, $53.70
Aesthetical Theory In Modern Art: Examines the creative process, the aesthetics of spiritual expression, and the role of technique and style in creation. Written in 1979, 8 pages, 4 notes, 11 sources, $71.60
Art and the Exceptional Child by Uhlin: A book review. Written in 1980, 5 pages, $44.75
The Role Of The Art Critic: Two Contemporary Views: Examines the role of involvement in artistic ventures by the critic in the views of Rosenberg and Clark. Written in 1980, 10 pages, 4 notes, 5 sources, $89.50
Harold Rosenberg: The Complete Critic: A look at the critical comments upon American Abstract Expressionism, or as he termed it "action painting" from the 1950's to the present. Written in 1981, 16 pages, 25 notes, 17 sources, $143.20
An Analysis Of The Behavioral Objectives Of Art Education: Examines its purpose in public schools, historical overview of its development and objectives and effectiveness of behavioristic teaching methods. Written in 1979, 25 pages, 19 notes, 14 sources, $223.75
Aspects Of Art & Aesthetics: An inquiry into various theories of art: among them: Aristotelian, social relevance and the artist's role in creation. Written in 1980, 6 pages, $53.70
The Cubist Art Perspective: How the Cubist art movement arose; the theory behind it; the two phases of Cubism. Written in 1980, 3 pages, 3 notes, 3 sources, $26.85
The Aesthetic Perception: Observation and visual literacy. Written in 1980, 7 pages, 9 notes, 4 sources, $62.65
Andre Malraux' Theory of Art: Art as an autonomous function, as continuity and as derived from other art. Written in 1980, 10 pages, 30 notes, 4 sources, $89.50
Master's Thesis Proposal on Art and Painting: Painting has always provided both aesthetic and practical means. To some, the painter is the artist, to others, the painter is a philosopher. A Purpose, Methodology and Justification outlined in detail. Written in 1984, 3 pages, $26.85
State of the Art of Women's Painting: The need for a pragmatic acceptance of women as painters, as opposed to painters as women. Written in 1982, 5 pages, 7 notes, 7 sources, $44.75
A comparison of three Mexican Artists: Oronzco, Rivera, and Ortega Gasset: Their social, political and philosophical views. Written in 1984, 25 pages, 55 notes, 16 sources, $223.75
History of Women Artists: A history of women in Art from the 1600's to present. Written in 1984, 6 pages, 7 notes, 6 sources, $53.70
Art Aesthetics: Philosophical values in art as viewed by Ortega Y Gasset,Artistotle,and Plotirus. Written in 1984, 8 pages, 5 notes, 4 sources, $71.60
Art Theory and the Modern Age as based on The Grass Roots of Art by Herbert Read: An exploration of Read's belief that art today reflects deep currents of sadism and masochism in our society. Written in 1985, 7 pages, 1 notes, $62.65
Philosophies of Art & Their Ramifications: Observes various philosophers viewpoints as to what the expression of Art actually transmits to the viewer of artwork. Written in 1985, 7 pages, $62.65
Four Artists Beliefs : Bernini, Caravaggio, Poussin, and Velasquez: The four artists convene for an imaginery discussion of the philosophical perspectives contained in their art. Written in 1990, 6 pages, $53.70
The Clocktower in Manhattan: Gives a history of the Clocktower as a gallery space in lower Manhattan, New York, its mission, and a case statement for funding. Written in 1991, 13 pages, 22 notes, 16 sources, $116.35
Jerome Stolnitz on aesthetic attitude, why it is valuable, other things to him as intrinsically valuable: the relevancy of knowledge ot the work of art and the aesthetic contemplation of nature. Written in 1991, 6 pages, 12 notes, $53.70
An analysis of five paintings in an effort to determine how art captures, critiques, illustrates or sanctifies the world that produces it: paintings spanning the period between Late Medieval and the Nineteenth century are a rendition of Venus and Adonis by Titian and Rubens, Poussins's The Rape of the Sabine Women, and two paintings by Boilly : The Billiard Party and Young Artist. Written in 1993, 6 pages, 11 notes, $53.70