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Literature: Shakespeare Index

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Paper Title

Description of Paper (Year Written) (Nbr Pages) (Nbr Notes/Citations) (Nbr Sources) ($=Price)

The First Part of King Henry IV: by Shakespeare. Written in 1978, 7 pages, $62.65
Critique of King Lear: McDonaldson's view of King Lear as early theater of the absurd. Written in 1978, 6 pages, $53.70
Symbolic Nature of the Storm in King Lear: Observes the storm on the heath as the first of King Lear's punitive and tramatic experiences and the consequences inflicted on Lear by the gods of pre-Christian Britain for upsetting the balance of nature. Written in 1978, 10 pages, 3 notes, $89.50
The Tempest.: Focuses on the symbolism involved in the play by Shakespeare. Written in 1978, 12 pages, 18 notes, 12 sources, $107.40
Defects in Hamlet: Looks at the criticism as seen by a 20th century audience. Written in 1978, 7 pages, 10 notes, 5 sources, $62.65
Roles of Women in Twelfth Night and Hamlet: Compares the roles of women and the differences in their roles in these two Skakespearean plays. Written in 1978, 3 pages, $26.85
The Role of Women in Shakespearean Tragedies: Observes the different women characters in Shakespearean plays and concludes that the characters and the plays as works of art were more important than the social validity of the roles his women depicted. Written in 1979, 7 pages, $62.65
The Significance of King Henry's Opening Speech in Act III of Shakespeare's Henry IV, II: Examines King Henry's opening speech at the beginning of Act III in the play, Henry IV, Part II, as one of the two consecutive speeches which state the principal themes of the play. Written in 1979, 5 pages, 1 notes, $44.75
Comparisons of the Role Playing of Hal and Edgar in the Plays Henry VI Part I, and King Lear: Examines this element common to both Shakespearean works as that of impersonation and role-playing by which a character pretends to be what he is not in order to aid him in attaining some future goal. Written in 1979, 5 pages, 2 notes, $44.75
Lear and Gloucester: In Shakespeare's play, compares prominent characters. Written in 1979, 6 pages, $53.70
Women in Othello: An examination of female characters who are independent and most unlike the role of women customarily thought to be in Shakespearian Era. Written in 1978, 8 pages, 8 notes, 8 sources, $71.60
The Chronicle of Nature in Shakespeare: Reference is made to the forces of nature, prominent works depicted. Written in 1979, 6 pages, 13 notes, 4 sources, $53.70
Role of Women in Measure for Measure and As You Like It: by Shakespeare. A comparison and contrast. Written in 1979, 5 pages, 4 sources, $44.75
Eleanor of Aquitaine and the Four Kings, Curtmantle (Henry II).: A historical evaluation of two plays. Written in 1979, 8 pages, 4 notes, 2 sources, $71.60
Elizabethan Costume and Shakespeare: Discusses style and use of costumes, their historical value and significance in a number of his works. Written in 1979, 11 pages, 17 notes, 7 sources, $98.45
Influences on Shakespearian Costumes: Notes international influences, particularly Spanish, and the eclectic habits of dress during the Elizabethan Period. Written in 1979, 10 pages, 19 notes, 7 sources, $89.50
A Comparison of Oedipus Rex and King Lear: A comparison of theme and character portrayal. Written in 1979, 10 pages, 10 sources, $89.50
"Richard II" by Shakespeare: Discusses the Duke of Aumerle as a catalyst in this play. Written in 1979, 5 pages, $44.75
King Lear: Discusses the central focus on the play, critical and theatrical interpretations of Lear's character and thematic development of the play. Written in 1979, 10 pages, $89.50
"MacBeth" by Shakespeare: An analysis and criticism. Written in 1979, 8 pages, $71.60
An Analysis of Dramatic Art Thru Playwright Characterization: Particularly thru "Death of a Salesman" and MacBeth. Written in 1979, 4 pages, 2 sources, $35.80
Tennessee Williams' "A Streetcar Named Desire" and William Shakespeare's "Othello": A comparison and contrast of these two major theatrical works, based both in fragility of love coupled with a hunger of the soul. Written in 1979, 7 pages, $62.65
Modes of Dramatic Comedy:: An analysis of the various types of Elizabethan comedy, including those of humors, romance, farce and satire, with examples from the period. Written in 1979, 7 pages, 5 notes, 14 sources, $62.65
L'Terrary Perspectives: Hamlet, by William. Shakespeare, Waiting for Godot, by Samuel Beckett, & The End of the Road, by John Barth.: Analyzes the various character activities and how they give meaning to each of these three works. Written in 1980, 9 pages, $80.55
Shakespearean Villains: A discussion of purposes of Shakespeare's knaves for their deformities or allegiance to minority groups. Written in 1980, 8 pages, 19 notes, 9 sources, $71.60
A Winter's Tale by Shakespeare: Examines the various flaws in this least produced by the Bard's plays. Written in 1980, 4 pages, 5 notes, 1 sources, $35.80
Shakespeare's Characterization: MacBeth and Lady MacBeth: An Analysis of the various aspects of characterization, including the historical and metaphysical, in this great Shakespearean tragedy. Written in 1980, 7 pages, 6 notes, 8 sources, $62.65
Darkness Imagery in MacBeth: A study of the praeternatural imagery in MacBeth and how it affects the whole of the play. Written in 1980, 5 pages, 1 notes, 1 sources, $44.75
Shakespeare's Coriolanus: An analysis of the attributes and drawbacks of this next-to-last of Shakespeare's plays. Written in 1980, 7 pages, 8 notes, 8 sources, $62.65
The Shakespearean Fool: The role of the fool in early drama with emphasis on Falstaff and "The Merry Wives of Windsor". Written in 1980, 9 pages, 7 notes, 6 sources, $80.55
What is Tragedy?: Analysis of tragedy in "Othello". Written in 1980, 3 pages, $26.85
Why Does Hamlet Delay: A review of the critical theories on the reasons for Hamlet's delay in killing his stepfather. Written in 1980, 8 pages, 19 notes, 7 sources, $71.60
"A Midsummer Night's Dream": An analysis of the character of Demetrius, how he is viewed by the various characters and by the reader. Written in 1980, 7 pages, $62.65
"Othello".: Variations in the linguistic style which are significant to the character of Othello and the exemplification of Shakespeare's art are discussed. Written in 1980, 7 pages, $62.65
"Othello.": Analysis of Othello as Everyman, his change from moral greatness to moral smallness. Written in 1980, 6 pages, 5 notes, 4 sources, $53.70
"Romeo and Juliet": Discusses the role of Mercuteo and his relation to major characters. Written in 1980, 7 pages, $62.65
Brutus' Inability to Assume Leadership of the Conspiracy Against Julius Caesar: Nobility, self-conflict, conscience in Shakespeare's play. Written in 1980, 3 pages, 3 notes, 1 sources, $26.85
Stagecraft in Shakespeare's Coriolanus: Dramatic qualities in Shakespeare's work. Written in 1980, 15 pages, 13 notes, 7 sources, $134.25
The Nature of the Ghost in Hamlet: The ghost as the mover and shaker of plot development in Shakespeare's play. Written in 1980, 7 pages, 6 notes, 6 sources, $62.65
Comparison of Hotspur and Sir John Falstaff in Shakespeare's Henry IV Part I: Falstaff's fool playing to Henry's straight man. Written in 1980, 7 pages, 10 notes, 2 sources, $62.65
Hamlet by Shakespeare, Aeschylus, and Moliere: The Oresteia, Tartuffe, The Choephroe, and The Eumenides. Written in 1980, 7 pages, 1 notes, 1 sources, $62.65
Treatment of Madness in Hamlet and King Lear: Psychodrama in Shakespeare's play. Written in 1980, 8 pages, 7 notes, 5 sources, $71.60
Imagery in a Midsummer Night's Dream: Suggestive effects and illusions in Shakespeare's plan. Written in 1980, 3 pages, 4 notes, 1 sources, $26.85
Shakespeare's Richard III: Fact or Fancy: Correcting the traditional view of Richard III as portrayed by Shakespeare via Sir Thomas More. Written in 1980, 10 pages, 20 notes, 10 sources, $89.50
Shakespeare and the Supernatural: Occult figures in The Tempest, Macbeth, and Hamlet. Written in 1980, 11 pages, 12 notes, 8 sources, $98.45
Shakespeare's Iago and Prospero: Power manipulation in The Tempest and Othello. Written in 1980, 20 pages, 9 notes, 6 sources, $179.00
Romeo and Juliet: Social customs and themes of Shakespeare's romantic tragedy. Written in 1981, 8 pages, 18 notes, 7 sources, $71.60
Miss Julie, Antigone and King Lear: Significance of principle characters actions and consequences of actions in Strindberg's, Shakespeare's and Sophocles plays. Written in 1981, 6 pages, 13 notes, 5 sources, $53.70
Othello and Aaron: Comparison of principle characters from Shakespeare's Othello and Titus Andronicus, contrast of hero and villain. Written in 1981, 8 pages, 2 notes, 2 sources, $71.60
Henry V.: Comparison of Shakespeare's play with English king. Written in 1981, 8 pages, 7 notes, 6 sources, $71.60
Imagery in MacBeth: Occult symbolism, suggestiveness, illusion and reality in Shakespear's tragedy. Written in 1981, 15 pages, 17 notes, 6 sources, $134.25
Much Ado About Nothing: Themes and characterizations in Shakespeare's comedy. Written in 1981, 7 pages, 11 notes, 3 sources, $62.65
Much Ado About Nothing: Life, love, deception, character analysis in Shakespeare's comedy. Written in 1981, 7 pages, 7 notes, $62.65
The Theme of Revenge in the Old Testament, Dante's Inferno and Shakespeare's Tempest: A comparison of the concept of vengeance as developed in the Bible, the Inferno, and in the Tempest. Written in 1982, 10 pages, $89.50
The Modernization of Shakespeare: Shakespeare transmogrified to twentieth century values and politics in such plays as MacBird, Rosencrantz & Guildenstern are Dead, Endgame, Your Own Thing and so forth. Written in 1980, 61 pages, 48 notes, 63 sources, $545.95
A Comparison of Shakespeare's Julius Caesar, The Merchant of Venice, As You Like It, and Twelfth Night: An analysis of Shakespeare's many dramas illustrating different facets of his genius. Written in 1983, 8 pages, 9 notes, $71.60
A Comparison of Dryden's All For Love with Shakespeare's Antony and Cleopatra: Observes historical events affecting playwriting and stagecraft and the story of Antony and Cleopatra transmitted from Elizabethan drama to Restoration drama. Written in 1980, 10 pages, 3 notes, 5 sources, $89.50
Romeo and Juliet and A Midsummer Night's Dream : A Comparison: Examines both plays as fraught with tragic implications, witnessing the doctrine "the course of true love never did run smooth". Written in 1983, 5 pages, 7 notes, 3 sources, $44.75
A Comparison of the Characters of Shakespeare's Richard II and Bolingbroke (Henry IV): Examines how Richard reveals his inability to govern, power transferred to Bolingbroke, Richard being deposed and power being transferred to Bolingbroke. Written in 1983, 7 pages, 8 notes, 5 sources, $62.65
Shakespeare : Measure For Measure and Hamlet: Discusses the dramatic theme in both works, being the discovery of the underlying evil and hypocrisy in the religious morality of the day. Written in 1982, 4 pages, 1 notes, $35.80
A Vision of Nature: The element of nature in King Lear, The Inferno, and Gulliver's Travels. Written in 1980, 7 pages, $62.65
Hamlet's Relationship with his Mother: An examination of Hamlet's relationship to his mother as being basic to the play, particularly in his inability to reconcile his mothers relationship with Claudius. Written in 1983, 8 pages, 7 notes, 5 sources, $71.60
Hamlet by William Shakespeare: Analyzes Hamlet as a revenge tragedy but observing the fact that the nature of the drama does not depend upon how Hamlet takes revenge so much as it does upon Hamlet's failure to take revenge in the manner one would expect. Written in 1984, 11 pages, 15 notes, 7 sources, $98.45
Hamlet, the play, its theme and plot: Hamlet as a revenge tragedy. Written in 1982, 4 pages, 5 notes, $35.80
A Comparison of the Ideas of Shakespeare and Sir Thomas More on Kingship: Examines the works of Shakespeare and More as supportive of kingship, or the monarchy. Written in 1983, 8 pages, 8 notes, 5 sources, $71.60
Imagery and Symbolism in Romeo and Juliet: Shakespeare's developing metaphorical language and style in the symbolic imagery of this tragedy. Written in 1983, 7 pages, 5 notes, $62.65
A Comparison of Shakespeare's Two Comedies; A Midsummer Night's Dream and As You Like It: A comparison of these two comedies from the aspect of plot, style and characterization. Written in 1981, 7 pages, 5 notes, $62.65
Othello by Shakespeare: Being that the concept of seeing is one that is basic to the play. What is real or what various people see or think they see is responsible for much of the plays tragic action. Written in 1982, 7 pages, 8 notes, $62.65
Shakespeare's Stage: Observes the stage usage by Shakespeare in his various works and concludes that the very simplicity of Shakespeare's stage permitted him a greater degree of dramatic freedom than the more elaborate stage of modern day. Written in 1981, 9 pages, 10 notes, 4 sources, $80.55
The Winter's Tale by William Shakespeare: Discusses characterization and criticism of this Shakespearean romance, one of his least popular works produced in his last period. Written in 1978, 4 pages, 5 notes, $35.80
Shakespeare's "Julius Caesar" and "Coriolanus"/Dickinson: A look at Shakespeare's two plays and how they depict the tragic hero and his country's moral code. Analysis of an Emily Dickinson poem about a snake. Written in 1988, 6 pages, $53.70
That That Is Is, and Nothing That Is So Is So in Shakespeare's " Twelfth Night ": An examination of Shakespeare's utilization of the mythic world of comedy to probe the differences between appearance and reality, self-deception and self-knowledge as seen in the Twelfth Night. Written in 1981, 6 pages, 7 notes, $53.70
Hamlet : A Symbol For Lost Souls: Observes the ambiguity of the character Hamlet in Shakespeare's play and as symbolic of lost souls suffering the anguish of life in a manner that on the surface may appear cowardly. Written in 1985, 8 pages, $71.60
Shakespeare's The Tempest: An analysis of theme and characterization and the interplay of these characters to create a seamless artistry that has seldom been rivaled. Written in 1988, 6 pages, 4 notes, $53.70
Shakespeare's Development as a Dramatist as Evidenced by the Early Comedies: Observes Shakespeare's artistic development in perfecting poetic imagery through the type of comedy important to him during his "master craftsman" period characterized by such works as A Midsummer Night's Dream, As You Like It, The Merchant of Venice, et. Written in 1988, 7 pages, 9 notes, 6 sources, $62.65
The Development of the Characters of Gloucester and Lear in King Lear: Observes the crucial difference between the character development of Lear and Gloucester in that Lear gains insight into himself and into the human condition upon realization of being deluded in regard to his children while Gloucester gains no comparable. Written in 1988, 7 pages, 10 notes, 9 sources, $62.65
Oedipus the King: Looks at the theme, "pride goeth before the fall" referring to the dominance of personal importance and its inevitable crash in human beings. Written in 1990, 4 pages, $35.80
King Lear: Shows the protagonists successive self-discoveries closely following the six main points of Shakespeare's tragic vision as Lear moves from self deception to a slow and painful self-realization of his own shortcomings. Written in 1990, 7 pages, 3 sources, $62.65
Troilus and Cressida: Love and heroism in war when Shakespeare concentates largely on the falseness of love and the senselessness of war. Written in 1990, 5 pages, $44.75
All's Well that Ends Well: An analysis of characters focusing on Bertram making himself worthy of Helena's love by educating himself in ways that his wealth and breeding ignore. Written in 1990, 5 pages, $44.75
The Character of Bertram in Shakespeare's All's Well: That Ends Well. Looks at Bertram as a totally unsympathetic character introducing various social prejudices , etc, into Bertram's character. Written in 1990, 6 pages, 11 notes, 5 sources, $53.70
Much Ado About Nothing: Examines the relationship between Benedick and Beatrice suggesting that each partner must willingly compromise and actively contribute if their union is to prove successful. Written in 1990, 7 pages, 7 notes, $62.65
Shakespeare's Twelfth Night and As You Like It: Compares these works by observing Shakespeare's utilization of the identical themes of the isolation of human beings in remote and idyllic surroundings and the effect of these surroundings upon the growth and flowering of love. Written in 1990, 8 pages, 15 notes, $71.60
Shakespeare's Richard the Third: Looks at the character of Richard as diabolically evil and yet not avoiding the feeling that this very evil made him distinguished among men. Written in 1990, 7 pages, 8 notes, 5 sources, $62.65
Shakespeare's Julius Caesar: offers a complex depiction of the motives of Caesar's assassins, suggesting that while Brutus was motivated by idealism the other conspirators tended to be guided by considerations of ambition and personal interest. Written in 1990, 8 pages, 7 notes, $71.60
Family Relations in Five Shakespeare Works: Looks at family relations and disputes figuring predominantly in The Taming of the Shrew, Measure for Measure, The Merchant of Venice, King Lear and Henry V. Written in 1990, 7 pages, 5 notes, 6 sources, $62.65
Love's Labour's Lost and The Taming of the Shrew: Shows, through all their shortcomings, through the lack of action in one and the distasteful subject in the other the product of a young Shakespeare who is clearly in his apprentice phase. Written in 1990, 7 pages, 9 notes, 7 sources, $62.65
Visual Language in Shakespeare's Henry IV: Observes the vital role the props, costumes, settings and actors on stage movements play attesting to the interpersonal dynamincs and also the evolution of the undisciplined young Prince Hal into a masterful and capable king. Written in 1991, 6 pages, 6 notes, 6 sources, $53.70
The New York Shakespeare Festival : A Selective Analysis: An overall analysis of this organization as a functioning arts institution, looking at its formation and central objectives,its funding,public relations, productions, etc. Written in 1991, 19 pages, 48 notes, 16 sources, $170.05
The Porter's Scene in Macbeth: Examines the Porter's scene as having been the subject of considerable controversy because of its crucial placement in the moments just after Duncan's murder. Written in 1991, 6 pages, $53.70
An Analysis of Shakespeare's Tragic Vision: Examines the elements of Shakespeare's tragic vision such as the dramatic individual's potential for good or evil, the role or meaning of fate in creating joy or suffering, the effects of suprise and discovery, etc., as seen in Antony and Cleopatra, Cori. Written in 1991, 15 pages, 11 sources, $134.25
Much Ado About Nothing : Examines Support Characters: The functions of the various minor character's romantic comedy about mistaken identity are studied for humor and narrative role. Written in 1991, 6 pages, 12 notes, 1 sources, $53.70
The Character of Caliban in The Tempest: Caliban's position as the natural man against the forces of civilization in Shakespeare's drama of shipwreck on a desert island, analyzed. Written in 1991, 9 pages, 19 notes, 6 sources, $80.55
Lear, His Daughters and Love: Brief analysis of the love of Lear and his three daughters. Focuses on concepts of market and use value as approaches to defining love and its meaning. Written in 1991, 6 pages, 13 notes, 6 sources, $53.70
Lear and Cordelia : The Love of Father and Daughter: Examines the love between Lear and Cordelia, concluding that it is only through suffering and death that Lear comes to fully value Cordelia and face mistakes as man, father anf king. Written in 1991, 6 pages, 17 notes, 6 sources, $53.70
Psychological Intrepretations in Hamlet and King Lear: Assess the validity of the psychological intrepretation of drama by applying Jung's ideas of the nature of feminine and masculine and the implications of the Oedipus myth upon those ideas to Shakespeare's Hamlet and King Lear. Written in 1991, 11 pages, 26 notes, 5 sources, $98.45
Evil Within and Evil Without in Macbeth: Compares evil within and evil without in Macbeth to see how Shakespeare treats the criminal instinct as a cancerous growth and only shows itself externally through actions that contradict the false words of the criminal. Written in 1992, 6 pages, $53.70
Hamlet and Love: Observes love as expressed in Hamlet as running the gamut from sheer contradiction and lying to the extreme of hopeless love expressed by Ophelia. Written in 1992, 7 pages, 5 notes, 7 sources, $62.65
Analysis of a Scene from Henry IV, Part I: Examines the struggle between Hotspur and Henry and focuses on the staging of a single and vital scen from the play (Act 3, Scene 2) along with views on costume, setting, and other related aspects that should be addressed by a director. Written in 1992, 11 pages, $98.45
Set Directions and Characterization for King Lear: Examines this seminal drama of filial ingratitude, arrogance, and redemption, from the perspective of a director staging the play. Particular attention will be given to a passage from Act3, Scene 7, Lines 53 to 95. Written in 1992, 10 pages, 5 notes, $89.50
Hamlet by Shakespeare: Observes that Hamlet is as much a play of mastery of language as it is about plot and role playing being that the giving and ignoring of advice forms the core of the play and the development of its characters. Written in 1993, 5 pages, $44.75
Characters of Lord and Lady Macbeth: Observes the worldly ambitions of Lord Macbeth as allowing this to dictate his actions but being driven to his crimes by the greater ambition and determination of his wife, Lady Macbeth, who is a far greater source of evil than her husband. Written in 1993, 6 pages, $53.70
King Richard II : by Shakespeare: Deals with a variation of usurped power, that of a weak and indecisive king whose selfishness and delusions bring about his own forced abdication and evetually his murder. Written in 1993, 4 pages, 2 sources, $35.80
Themes of Insanity and Death in Hamlet: Observes that Hamlet is feigning insanity in order to find out the truth about the King's murder, the Queen's remarriage, and Claudius' own ascension to the throne. Written in 1993, 6 pages, 4 notes, $53.70
A Brief Analysis of Hamlet: Observes in this work Shakespeare's understanding of all that is most vital in mans life : desire and passion for another, life and death, hatred and action,, love of parents, fear of maturity and responsibility, immobility and action and the thrust towa. Written in 1993, 6 pages, 13 notes, 4 sources, $53.70
Similarities between Shylock and Portia in The Merchant of Venice: Observes Shylocks transformation from a villaneous buffoon to a dignified tragic figure and the effect Portia has upon this transformation. Written in 1994, 4 pages, $35.80
Forgiveness in the Tempest and Beckett's Endgame: Compares and contrasts Shakespeare's joyful romantic comedy The Tempest with Samuel beckett's bleak existential tragicomedy Endgame. Written in 1994, 10 pages, 2 sources, $89.50
Christianity in Hamlet: Focuses on the theme of Christianity and Christian values as depicted in the play and the views of critics who have analyzed the religious themes of the drama. Written in 1994, 5 pages, 7 notes, $44.75
A Discussion of King Lear: Focuses on the question of how advantaged lives influence behavior and attitudes and the related question of whether or not class or social status can be linked to the qualities of nobility and goodness. Written in 1994, 6 pages, 3 sources, $53.70
Views of Hamlet's Procrastination: Focuses on the question of why Hamlet procrastinates in his plan to kill Claudius and this indecision as being largely responsible for the tension of the drama and symbolic of Hamlet's nature and personality as well. Written in 1994, 7 pages, 3 sources, $62.65
Richard II and Responsibility: Analyzes Richard's long speech in Act V, Scene V of Shakespear's play and answers the question of what this speech tells about Richard and his era of failures of Kingship. Written in 1994, 6 pages, $53.70
Fathers and Daughters in The Merchant of Venice: Examines the relationships between the fathers and daughters in Shakespeare's play, compared and contrasted to each other. Written in 1994, 4 pages, 1 sources, $35.80
Richard II by Shakespeare: Explores the original and creative aspects of the personality of Richard II and his achieving a certain tragic nobility through accepting his fate and fighting to the end for his life. Written in 1994, 5 pages, 1 sources, $44.75
Images in Antony and Cleopatra: Identifies within the text of Antony and Cleopatra, the most visible groups of image patterns, to link those patterns to other plays and how these image patterns define the thematic meaning of the play and make it different from other plays by Shakespear. Written in 1994, 13 pages, 6 sources, $116.35
The Merchant of Venice by William Shakespeare: Observes Shylock as long having been the center of discussion and even controversy and examines the sources used by Shakespeare in creating this character describing the similarities and differences among these sources and assessing their relevance. Written in 1994, 6 pages, 5 sources, $53.70
The Positioning of Women in Great Tragic Dramas: Observes that beginning in the Hellenic era, continuing through the Renaissance and into the modern women as almost always in opposition or subjugation to a dominant and tragic male figure, illustrated in Antigone, Othello, and Death of a Salesman. Written in 1994, 5 pages, 3 sources, $44.75
Aspects of Nature and Nuturing in Shakespeare's The Tempest: Observes the element of nature in the piece as is really the story of a shipwreck but with Prospero's daughter Miranda expressing a nuturing concern for the safety of the ships passengers. Written in 1994, 3 pages, 6 notes, $26.85
Virgil's Aeneid and Shakespeare's Tempest : Resolution of Conflict Between Public and Private Interest: Depicts Aeneas internal struggles to balance his own needs with those of the state and Prospero as an eloquent and powerful magician who manipulates others to achieve his own ends. Written in 1994, 3 pages, $26.85
Women in Three Shakespearean Plays: Describes the role of the central female characters in Antony and Cleopatra, Hamlet, and Romeo and Juliet, with respect to the question of how each woman influences the development of the central tragedy of the play. Written in 1994, 8 pages, 7 sources, $71.60
A Comparison of Romeo and Juliet and West Side Story: Compares and contrasts the two versions of the love story of a young man and woman, children of fueding and antagonistic parents, who elect to die rather than to submit to their parents refusal for them to marry. Written in 1994, 6 pages, 5 sources, $53.70