A1-Termpaper 1-800-Termpaper Classical and Ancient Music Termpaper Termpapers Term Paper Term Papers Academic Research Essay Dissertation Theme Thesis Book Report Case Studies Custom Research Custom Writing Writing Editing Critical Analysis Business Industry Research Business Research

SUBJECT INDEX
Anthropology
Architecture
Art
Black Studies
Book Reports
Business
Ecology
Economics
Education
Film
History
Law
Linguistics
Literature
Mass Media
Medicine Healthcare
Miscellaneous
Music
New Papers
Philosophy
Political Science
Psychology
Religion
Science
Shakespeare
Sociology
Sports
Urban Studies
Women's Studies

Music: Classical and Ancient Index

To order a specific paper, click the Catalog Number button next to the Paper Title of interest.

Paper Title

Description of Paper (Year Written) (Nbr Pages) (Nbr Notes/Citations) (Nbr Sources) ($=Price)

Ludwig Van Beethoven: Stylistic Development: Examines the works of Beethoven through an observation of his three style periods. The first characterized by an imitation of Haydn and Mozart, the second by complete freedom from his models and the third a new, personal and introspective style. Written in 1978, 9 pages, 21 notes, 4 sources, $80.55
Chopin: The Later Years: Examines the various crises of his life and their influence on his later career. Written in 1980, 8 pages, 10 notes, 12 sources, $71.60
Gregorian Chants.: The beginnings of recorded Christian song, their means of recording, and diagrams of the precise structures of each chant. Written in 1979, 10 pages, 8 notes, 4 sources, $89.50
Beethoven: A String Quartet Op. 59, No. 2 in E. Minor: (Rasumovsky) discusses structure and style. Written in 1979, 5 pages, $44.75
A Brief History of Piano Pedagogy From the Baroque Era to the Twentieth Century: Discusses the development of the piano from its earliest inception to present including the refinement of the instrument itself. Written in 1979, 7 pages, 8 notes, 4 sources, $62.65
The Middle Baroque Opera: An Evolutionary Art Form: Examines opera as it grew from its religious conception, sets and characterization, particularly in Venice. Written in 1979, 21 pages, 41 notes, 29 sources, $187.95
Symphonies Pastoral and Fantastique: Discusses a 5 movement creation depicting the interaction between two lovers. Written in 1979, 4 pages, 4 notes, 2 sources, $35.80
A Comparison of Two Pieces by Beethoven: Examines Pethetique Sonata No. 8 in C. minor, Op. 31 and Moonlight Sonata No. 14, in C sharp, Op. 27 #2. Written in 1979, 4 pages, $35.80
Impressionism in Music: Debussey & Ravel: Analyzes the impressionist movement as it pertained to music, especially in Debussy's L'Apres-midi d'un Faune and La Mer and Ravel's Jeaux d'Eau and Gaspard de la Nuit. Written in 1980, 7 pages, 4 notes, 10 sources, $62.65
Bach's Art of the Fugue: Examines his influence on later composers such as Mozart and Beethoven. Written in 1980, 6 pages, 10 notes, 5 sources, $53.70
Mozart and Haydn: Discusses the early development of symphonic form in the music of these composers. Written in 1979, 7 pages, 12 notes, 8 sources, $62.65
The Development and Function of the Trumpet in the Baroque Era: An overview of the Baroque Era as a musical era and the relationship of the trumpet and its influence and use in Baroque music. Written in 1979, 7 pages, 12 notes, 8 sources, $62.65
The Waltz : A History to Present: Observes the development of the waltz in the late eighteenth and traces its development as a dance style and contrasts it with such dances as the Samba and Mambo. Written in 1981, 7 pages, 12 notes, 4 sources, $62.65
The First Movement of Bach's Brandenburg Concerto #2/ Mozart's Symphony #41 (Jupiter) in C-the first movement: Compares the above musical works in light of their thematic contrasts, dynamics, texture, and tone color, as well as rhythmic and melodic features. Written in 1981, 5 pages, $44.75
Johannes Brahms: Examines the life and great compositions of Brahms, the fundamentalist style of his creations and a musical analysis of the symphonies of this German composer. Written in 1981, 7 pages, 5 notes, 4 sources, $62.65
Opposing Tendencies in the Romantic Era: How the Romantic Era changed and influenced music, particularly from the earlier Classical Era. Written in 1984, 9 pages, 47 notes, 7 sources, $80.55
Development of the Motet(Notre Dame through Palestrina): A history of the motet, from the Notre Dame school through the composer Palestrina. Written in 1982, 8 pages, 39 notes, 7 sources, $71.60
Mozart and the Movie "Amadeus": Was the life of Mozart depicted accurately in the play "Amadeus" by Peter Shaffer? Comparisons between the play and historical facts about the genius composer. Written in 1988, 10 pages, 19 notes, 8 sources, $89.50
A Discussion on Various Musical Pieces: Looks at the rhythm, symmetry, meter, etc. of the Opera's Carmen, La Traviata, the rhapsodies of Liszt,Rachmaninoff, Stravinsky and works by Beethoven, Faure,Roussel. Written in 1988, 8 pages, $71.60
Brandenburg Concerto 5 vs.Beethoven's Violin Concerto O.P. 61: Looks at the first movement of both of these pieces comparing in regard to melody, harmony, rhythm, and texture and their effect of mood feeling and expression. Written in 1988, 6 pages, 10 notes, 6 sources, $53.70
Jean Sibelius : Symphony No. 3 in C Major, Opus 52: An analysis of of this work by this Finnish composer noted for his well-rendered expression of new musical forms and evidenced by his extraordinary originality as a symphonic thinker. Written in 1992, 6 pages, 9 notes, 5 sources, $53.70
Beethoven : his Spiritual Development by J.W.N. Sullivan: Summarizes the central themes in Sullivan's work and presents a definition of "spiritual development" as it applies to Beethoven and his music. Written in 1994, 5 pages, $44.75
Analysis of Beethoven's Early Work: observes his works of the early period culminating in the Symphony in C major (OPus21), which was composed in 1800 and concludes that this work is much along the lines defined as classical, established by Haydn and Mozart. Written in 1994, 5 pages, 5 sources, $44.75
Analysis of Beethoven's Later Work: Observes the third and final period of Beethoven's life as a composer, the transformation from the purely Classical to the newly Romantic, focusing on his Ninth Symphony, which appeared in 1823. Written in 1994, 5 pages, 5 sources, $44.75
Robert Schumann : Composer: analyzes Schumann's work as a pianistic thinker where his work fell short of the breathtaking levels reached by many of his contemporary composers and sees Schumann as moving from the classical to position himself in the center of the Romantic Movement. Written in 1994, 6 pages, 6 sources, $53.70
Wagner and Parsifal: Observes the surprise of Wagner's final work, Parsifal, an opera that preached the value of Christian love and faith, as opposed to his earlier beliefs in anti-semitism and atagonist of the Christian church. Written in 1994, 5 pages, $44.75
Wagner and Tristan and Isolde: Observes this tragic and gloomy production where Wagner carried out an evolution in his personal style that had been simulated to a certain extent with the chromatic idiom of franz Liszt's symphonic poems. Written in 1994, 5 pages, $44.75
Wagner and Lohengrin: Looks at Wagner's using medieval legend and folklore as sources in Lohengrin, transformiong the traditional treatment into a more highly generalized and symbolic dramatic form. Written in 1994, 5 pages, 5 sources, $44.75
The Musical Heritage of Bartok: Observes Bartoks major compositions in which his works are propelled by ahythmic and metric unlike that of any other composer, freely mingling speech rhythms and vocal fluctuations with the unyielding pulses of dance-based folk music. Written in 1994, 5 pages, 2 sources, $44.75
Robert Schumann's "Fantasie in C Major, Op.17" and Romanticism: Describes one of the longer piano works of Schumann, the "Fantasie in C Major, Op. 17", created in 1836, and applys Romantic values to this piece. Written in 1994, 5 pages, 4 sources, $44.75
Mozart and His Father: Examine's Mozart's rrelationship with his father, Leopold Mozart, a well known and accomplished musician and demanding parent, who tutored young Wolfgang's natural genius and pushed his career as a concert performer and court composer. Written in 1994, 6 pages, 4 sources, $53.70