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Music: Modern Index

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Paper Title

Description of Paper (Year Written) (Nbr Pages) (Nbr Notes/Citations) (Nbr Sources) ($=Price)

Roger Sessions: His Life and Works: Discusses the musician and composer from taped interviews as primary sources. Written in 1978, 20 pages, 42 notes, 3 sources, $179.00
What is Jazz Music?: Discusses its origins, supposed free and unstructured nature, prominent persons, and the tendency for the general public to limit themselves to a single category of music, limiting their exposure to new sounds. Written in 1978, 12 pages, 3 notes, 4 sources, $107.40
Bartok, Debussy, Barber, Stravinsky and the String Quartet: Traces each mans background and musical contributions leading to their eventual meeting and mutual compositions. Written in 1979, 11 pages, 10 notes, 8 sources, $98.45
George Gershwin: Artist in Two Worlds: The story of Gershwin and his major contributions. Written in 1979, 8 pages, 13 notes, 14 sources, $71.60
A Brief History of Piano Pedagogy From the Baroque Era to the Twentieth Century: Discusses the development of the piano from its earliest inception to present including the refinement of the instrument itself. Written in 1979, 7 pages, 8 notes, 4 sources, $62.65
A Comparison of Contemporary Concert Music Vs. Jazz: Discusses rhythm and improvisation that characterize jazz, arrangements and notes and the use of electric instruments. Written in 1979, 7 pages, 10 notes, 11 sources, $62.65
Modern Music: An examination of modern music including contemporary composers, live and canned music and music today as an art form and consumer product. Written in 1979, 10 pages, 13 notes, 10 sources, $89.50
Benjamin Britten: An analysis of the major contributions of this English opera composer and Pianist, and the influences on operatic style. Written in 1979, 10 pages, 14 notes, 8 sources, $89.50
Swing : An Era: Examines the origins of the "swing era' via its originality and relationship to both past and present music. The music of Benny Goodman will serve to illustrate the actual implementation of this style of music. Written in 1981, 7 pages, 12 notes, 6 sources, $62.65
H.H. Stuckenschmudt's "Arnold Schoenberg: His Life, World, and Work": A review/summary of this biography, highlighting aspects of Schoenberg's life, work, and the world he lived in. Written in 1984, 10 pages, 18 notes, 4 sources, $89.50
Report on : Paul Hindemith, The Man Behind The Music: A biographical sketch of the 20th-century German composer. Written in 1983, 8 pages, 10 sources, $71.60
Twentieth Century Music in Italy: A historical examination of the roots of Italian music, particularly opera music. Written in 1983, 8 pages, 3 notes, 7 sources, $71.60
Paul Hindemith and His Place in Twentieth Century Musical History: The influence of Paul Hindemith on music and art; biographical information; an analysis of some of his major works. Written in 1981, 12 pages, 19 notes, 12 sources, $107.40
A Historical Perspective of Contemporary Music Trends: 1977: An analysis and insight into the aesthetic qualities of modern music. Written in 1979, 12 pages, 6 notes, 3 sources, $107.40
"We Wear the Mask" by Paul Laurence Dunbar and "Eleanor Rigby," by John Lennon and Paul McCartney: A comparison of this poem and the popular Beatles song, especially that both are calling for more authenticity between people. Written in 1983, 7 pages, $62.65
The Folk Music Influence on Twentieth Century Classical Styles: Examines the strong reliance on folk music melodies and themes looking at folk influence on different prominent composers during or just prior to the 20th century. Written in 1991, 10 pages, 12 notes, 5 sources, $89.50
Laurie Anderson : Analysis of a Song Representative of her work: An examination of Anderson's musical work, being a classical violinist, in which her synthesis of components comprise a landscape of contemporary music and art. Observes such works as O Superman and Gravity's Angels. Written in 1992, 6 pages, 7 notes, 5 sources, $53.70
Compositions of Modern Composers: analyzes modern composers focusing on Philip Glass and Steve Reich representing a form of trance music that is distinctly modern as compared to either Romantic or Classical. Written in 1994, 6 pages, 3 sources, $53.70
The Musical Heritage of Bartok: Observes Bartoks major compositions in which his works are propelled by ahythmic and metric unlike that of any other composer, freely mingling speech rhythms and vocal fluctuations with the unyielding pulses of dance-based folk music. Written in 1994, 5 pages, 2 sources, $44.75