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Art: Medieval to Renaissance Index

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Paper Title

Description of Paper (Year Written) (Nbr Pages) (Nbr Notes/Citations) (Nbr Sources) ($=Price)

Neoclassic and Romantic Art: A two Part comparison and discussion of Foyer de la Danse by Degas. Written in 1978, 4 pages, $35.80
Christ Enthroned: A critique on the French sculpture in terms of style and representative of that particular period of the late gothic in the 14th century. Written in 1979, 11 pages, 6 notes, 10 sources, $98.45
The International Style: Discusses artistic style that linked Gothic and Renaissance, and late 14th to early 15th century art in Europe. Written in 1979, 8 pages, $71.60
Michangelo: His Universal Greatness: An overview of the sculpture and detailed ability of this 15th century Italian artist. Written in 1978, 5 pages, 8 notes, 8 sources, $44.75
A Comparison Of Jacques-Louis David's Oath of the Horatti and Gericault's Raft of the Medusa: Discusses both paintings in terms of classic, neoclassic, and romantic style. Written in 1978, 7 pages, 7 notes, 2 sources, $62.65
The Use Of Symbolic Nudity In The Italian Renaissance: Evaluates the four types of nudity used in art, particularly painting and their relation to religious and moral themes, with examples. Written in 1979, 6 pages, 3 notes, 4 sources, $53.70
Giovanni Battista Tiepolo's Adoration of the Magi: An analysis of composition. Written in 1980, 7 pages, $62.65
Renaissance Art In Italy: Examines art as it reflects society's interest in realism or symbolism, and as a reflection of values. Written in 1980, 8 pages, 10 notes, 4 sources, $71.60
Rembrandt: The Style Of A Master: The life and works of, noting examples of style and technique. Written in 1980, 8 pages, 12 notes, 12 sources, $71.60
Leonardo DaVinci: An analysis and study of the man, his works, and philosophy as applied to the world of art. Written in 1979, 8 pages, 12 notes, 2 sources, $71.60
Italian Society And Art: Examines the relationship between 15th century Italian artists and their clients, focusing primarily on the church, papal families and feudal lords' desires, and the lack of appreciation for the artist's social or economic needs. Written in 1979, 16 pages, 19 notes, 5 sources, $143.20
Botticelli & The Italian Renaissance: The works of this central Renaissance figure are considered in detail, with some biography and influences regarding style and method. Written in 1979, 6 pages, 3 notes, 5 sources, $53.70
Titian & Tintoretto: An in depth examination of these two seminal figures of the Italian Renaissance. Written in 1980, 13 pages, 20 notes, 7 sources, $116.35
"The Hay Wagon" By Hieronymus Bosch: Discusses form and content. Written in 1980, 3 pages, $26.85
The Later Years Of Albrecht Durer: Durer's striving for enhancement and perfection of his work during his last 15 years. Written in 1980, 7 pages, 5 notes, 11 sources, $62.65
The Madonna And Child Theme In Christian Art (1300-1650): Discusses the evolution of the theme, along with historical and international views. Written in 1979, 7 pages, 10 notes, 7 sources, $62.65
The Genius of Leonardo Da Vinci: Da Vinci as artist, engineer, scientist, and anatomical illustrator. Written in 1980, 9 pages, 21 notes, 6 sources, $80.55
Benevenuto Cellini: The high points in the life of the Renaissance sculptor and goldsmith, with reference to his major works. Written in 1980, 13 pages, 36 notes, 13 sources, $116.35
Jan Van Eyck's "Saint Francis Receiving the Stigmata"; Geovannia Belini's "Saint Francis in Ecstasy"; Pieter Breughel's "The Harvesters".: Analysis and background of each. Written in 1980, 15 pages, 17 notes, 7 sources, $134.25
Michaelangelo:Bacchus: His most erotic work analyzed in the context of his better known work. Written in 1985, 8 pages, 14 notes, 5 sources, $71.60
Artists of the Renaissance: A general discussion of artists of the renaissance period, their styles, works and influence. Written in 1983, 6 pages, $53.70
Botticelli: A discussion of the life and times of Botticelli, one of the most powerful painters of the Italian Renaissance. Written in 1983, 9 pages, 7 notes, 6 sources, $80.55
Giovanni Bellini: A discussion of Bellini's life and works, considered the greatest of Venetian Quadrocentrists and a dominating influence in the 16th Century. Written in 1984, 10 pages, 9 notes, 6 sources, $89.50
El Greco's View of Toledo: Looks at the lines, symmetry, brushstrokes and mood of this most famous of El Greco's works on display at the Metropolitan Museum of Art in New York. Written in 1988, 6 pages, $53.70
El Greco and Bruegel : A Comparison of Two Masters: Analyzes the similarities of style of these two renaissance artists by examining the landscape paintings, View of Toledo and The Harvesters, respectively on display at the Metropolitan Museum of Art in New York. Written in 1988, 6 pages, $53.70
Four Artists Beliefs : Bernini, Caravaggio, Poussin, and Velasquez: The four artists convene for an imaginery discussion of the philosophical perspectives contained in their art. Written in 1990, 6 pages, $53.70
Giovanni Bellini : Saint Francis in Ecstacy: Examines the venetian artistic tradition and his work as most representative of the Venetian school. Written in 1990, 6 pages, 8 notes, 4 sources, $53.70
EL Lissitzky : His "ideological superstructure" considered from a Hegelian Perspective: Observes this Russian Constructivists work in graphic arts, painting, photography, and typography as well as architecture. Written in 1991, 4 pages, 7 notes, 4 sources, $35.80
Mannerism and the Baroque Characterized: Observes the highly personalized style of Mannerism and examples of works by Fiorentino, Tintoretto, El Greco which later evolved to the more tranquil unproblematic style of Renaissance art examining the Baroque style of Raphael, Correggio, and Caravaggi. Written in 1991, 6 pages, $53.70
Considerations of Renaissance Art : Technical Achievements: Focuses on the technique of chiaroscuro, being the technique of modeling by almost imperceptible gradations of light and dark observing works of Caravaggio and Brunelleschi. Written in 1991, 6 pages, 13 notes, 6 sources, $53.70
Jusepe de Ribera, Lo Spagnoletto : Christian Themes of Martyrdom in his Painting The Martyrdom of Saint Bartholomew and the Art of Naples: Examines the fervent mysticism of de Ribera's painting, the reralism of his style, the influence of the dark manner of Caravaggio, attibuted to his emigration and residence in Naples. Written in 1992, 11 pages, 24 notes, 8 sources, $98.45
The Pieta in Renaissance Art : A Comparative Analysis of the Theme as expressed by Bellini and Michelangelo: An observation of the pieta theme, as exemplified by these artists, who created several sculptural renditions of significant beauty and power of this theme. Written in 1992, 6 pages, 12 notes, 7 sources, $53.70
A discussion of the painting "Alter Piece" by Raphael: An attempt to place this painting, owned by The Metropolitan Museum of Art in New York, in the general thematic context of Raphael's work and life and reflecting the values inherent in the piece itself. Written in 1993, 6 pages, 19 notes, 5 sources, $53.70
A Comparison of Dutch Lowlife and Burgher Painting: An examination of the paintings of low life as a well known feature of Dutch art. Focuses on the portrayal of peasants in taverns and other questionable meeting places by analyzing the works of Adriaen Brouwer and Dirk van Baburen. Written in 1993, 6 pages, 11 notes, 4 sources, $53.70